by Joanna Werch Takes
for Woodworker's Journal Magazine
If
you've been reading Woodworker's Journal for a couple of
years, you may remember that we named Gustav Stickley the
"woodworker of the 20th century"-- noting how his influence has
inspired woodworkers up to and including Norm Abram. For
Stickley, construction and decoration were inseparable -- which
meant he was picky about his hardware.
He
respected the ancient crafts, and filled his factory with
metalsmiths trained in Old World traditions. His workshops made
and offered hardware in a variety of metals -- iron, copper,
brass and pewter -- as well as, sometimes, in wood.

Round or pyramid-shaped wooden pulls were less expensive for his
customers, and were used more frequently in "non-public" areas
of the house like the kitchen or bathroom. Showier rooms
generally had hand-hammered copper or iron hardware for pulls
and hinges. Strap hinges were a predominant style, while the
pulls tended to be of the ring bail variety.
The
iron was in the Old World "armor bright" finish, while the
copper and brass went through a firing method that produced a
texture, but were left unlacquered. Just as Stickley believed in
letting age darken the wood in his pieces, he also said,
regarding hardware, that age and exposure were the only agents
"required to produce beauty and variety of tone."
For today’s woodworker completing a Mission style project, the
hardware is the final touch -- both functional and decorative.
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Rockler
Mission Gel Stain

Mission Dining Table Plan

Mission Style Red Oak Knobs

The Mission Furniture of L. & JG Stickley book

Stickley Proudly Re-Issues the Roycroft
Hardware Collection!

Roycroft Pull, Knob, Backplate and Straphinge

Pyramid Knob and Backplate
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